Une Bonne Histoire

In the 2000s, young women working for Securitas were offered an extra six francs on their hourly wage for "a rather special mission": to infiltrate activist circles in French-speaking Switzerland. They made up personas for themselves, invented fake names and a fake past. 15 years later, Une Bonne Histoire brings this affair back to the setting that should perhaps have been its setting from the beginning: the theatre. A counter-staging, performed by two actresses. Real ones this time.
 

Adina Secretan works in the field of performing arts. Her creations or co-creations (notably with choreographers Eilit Marom, Anna Massoni, Elpida Orfanidou, Simone Truong, or the Mil M2 collective) have been performed in various places in Switzerland and elsewhere (Latin America, Middle East, Europe, Oceania). She has been an associate artist of the far°, a festival of performing arts in Nyon. She also collaborates regularly on projects of other colleagues and friends.